Tanda masa - Wikipedia Bahasa Melayu, ensiklopedia bebas

Tanda masa (bahasa Inggeris: time signaturecode: en is deprecated , meter signature,^[1] metre signature,^[2] atau measure signature^[3]) merupakan suatu aturcara dalam notasi muzik dunia Barat yang memperincikan serta menetapkan berapa banyak rentak yang akan terkandung dalam setiap bar serta mengukur berapa nilai not yang bersamaan dengan satu unit rentak tersebut.

Rujukan[sunting | sunting sumber]

^ Alexander R. Brinkman, Pascal Programming for Music Research (Chicago: University of Chicago Press, 1990): 443, 450–63, 757, 759, 767. ISBN 0226075079; Mary Elizabeth Clark and David Carr Glover, Piano Theory: Primer Level (Miami: Belwin Mills, 1967): 12; Steven M. Demorest, Building Choral Excellence: Teaching Sight-Singing in the Choral Rehearsal (Oxford and New York: Oxford University Press, 2003): 66. ISBN 0195165500; William Duckworth, A Creative Approach to Music Fundamentals, eleventh edition (Boston, MA: Schirmer Cengage Learning, 2013): 54, 59, 379. ISBN 0840029993; Edwin Gordon, Tonal and Rhythm Patterns: An Objective Analysis: A Taxonomy of Tonal Patterns and Rhythm Patterns and Seminal Experimental Evidence of Their Difficulty and Growth Rate (Albany: SUNY Press, 1976): 36–37, 54–55, 57. ISBN 0873953541; Demar Irvine, Reinhard G. Pauly, Mark A. Radice, Irvine’s Writing about Music, third edition (Portland, Oregon: Amadeus Press, 1999): 209–10. ISBN 1574670492.
^ Henry Cowell and David Nicholls, New Musical Resources, third edition (Cambridge and New York: Cambridge University Press, 1996): 63. ISBN 0521496519 (cloth); ISBN 0521499747 (pbk); Cynthia M. Gessele, "Thiéme, Frédéric [Thieme, Friedrich]", The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan Publishers, 2001); James L. Zychowicz, Mahler's Fourth Symphony (Oxford and New York: Oxford University Press, 2005): 82–83, 107. ISBN 0195181654.
^ Edwin Gordon, Rhythm: Contrasting the Implications of Audiation and Notation (Chicago: GIA Publications, 2000): 111. ISBN 1579990983.

[1] Alexander R. Brinkman, Pascal Programming for Music Research (Chicago: University of Chicago Press, 1990): 443, 450–63, 757, 759, 767. ISBN 0226075079; Mary Elizabeth Clark and David Carr Glover, Piano Theory: Primer Level (Miami: Belwin Mills, 1967): 12; Steven M. Demorest, Building Choral Excellence: Teaching Sight-Singing in the Choral Rehearsal (Oxford and New York: Oxford University Press, 2003): 66. ISBN 0195165500; William Duckworth, A Creative Approach to Music Fundamentals, eleventh edition (Boston, MA: Schirmer Cengage Learning, 2013): 54, 59, 379. ISBN 0840029993; Edwin Gordon, Tonal and Rhythm Patterns: An Objective Analysis: A Taxonomy of Tonal Patterns and Rhythm Patterns and Seminal Experimental Evidence of Their Difficulty and Growth Rate (Albany: SUNY Press, 1976): 36–37, 54–55, 57. ISBN 0873953541; Demar Irvine, Reinhard G. Pauly, Mark A. Radice, Irvine’s Writing about Music, third edition (Portland, Oregon: Amadeus Press, 1999): 209–10. ISBN 1574670492.

[2] Henry Cowell and David Nicholls, New Musical Resources, third edition (Cambridge and New York: Cambridge University Press, 1996): 63. ISBN 0521496519 (cloth); ISBN 0521499747 (pbk); Cynthia M. Gessele, "Thiéme, Frédéric [Thieme, Friedrich]", The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan Publishers, 2001); James L. Zychowicz, Mahler's Fourth Symphony (Oxford and New York: Oxford University Press, 2005): 82–83, 107. ISBN 0195181654.

[3] Edwin Gordon, Rhythm: Contrasting the Implications of Audiation and Notation (Chicago: GIA Publications, 2000): 111. ISBN 1579990983.

[1]

[2]

[3]